Like Evil Dead’s Ash Williams and Spider-Man’s Peter Parker, Christine finds herself in unfortunate circumstances and must fight to get her life back to the status quo however, once it’s changed, it will never be the same. If you are familiar with Raimi’s work, you have noticed that he loves the everyday person who has to become extraordinary through the supernatural.
![watch drag me to hell free watch drag me to hell free](https://streamcoimg-a.akamaihd.net/000/375/759/375759-Banner-L1-d44adacff0e5ef911f7436aca7fe86eb.jpeg)
#Watch drag me to hell free trial
Christine’s ordinary nature makes her trial of escape that much more impactful and heart wrenching. Since it results from an everyday occurrence for any loan officer, the horror she suffers through seems hyperbolic, yet it fits perfectly within Raimi and Deming’s hell. It’s a visual and audio overload that calls back to bonkers scenes of Evil Dead II, when all things that could go wrong do, in comedic fashion, of course. The séance scene is as fantastic as it is wild. He eats that up.” These features can be seen during the séance, one of many moments when Christine tries to get her curse lifted. He really embraces the wind out of nowhere and the camera shaking, and the inventive, interactive lighting. Deming recounted that, “Sam loves B-movie stuff. Even the scenes involving the garage or street lamps were never given corrected bulbs to add to this “heightened sense of realism.” This realistic lighting shifts to darkness as Christine descends into the world of the supernatural, often shown in canted angles and close-ups. Deming wanted realistic lighting to be used for this transformation. It is almost inconceivable that her initially bright world edges into one of darkness and decay. Throughout the film, we, the audience, remain focused on Christine.
#Watch drag me to hell free movie
We covered scenes and gave her extra-tight close-ups, because we want the audience to be in her place.” This movie wouldn’t work without us caring about Christine. We stayed right on Christine’s face a lot of the time. In his production notes, Deming writes, “From the beginning, Sam and I talked about being with her as much as we subjectively could throughout the film. In Drag Me to Hell, Raimi and Deming play with our assumptions of a scene and explore why we care about characters like Christine (Alison Lohman), and why we want to see them overcome their doom. From all the films Deming has worked on, it is incredible to see his recognition of horror tropes and how he deconstructs and reorders them on screen. As a cinematographer, Deming builds lived-in worlds, even when those worlds are filled with supernatural and frightening beings. In the last decade, Deming again reunited with Raimi for Oz the Great and Powerful and with Lynch for his revival of the Twin Peaks series. Russell ( I Heart Huckabees) and, most notably, David Lynch ( Lost Highway, Mulholland Dr.). Since then, Deming continued working in a number of genres with other notable directors, including Wes Craven ( Scream 2), David O. Finally, when the third and final film in that franchise was released, Raimi dug up the screenplay titled The Curse, which would become Drag Me to Hell.ĭrag Me to Hell is also a return for cinematographer Peter Deming, who previously worked with Raimi on 1987’s Evil Dead II. The story was written right after 1993’s Army of Darkness however, the idea was shelved while Raimi directed the Spider-Man films. This is what makes Drag Me to Hell both a return to form as well as a contemporary Raimi shock, schlock, and fun film. Raimi has written and directed well-known cult classics, many of them synonymous with the horror-comedy genre. For many of the films he directs, he mixes horror and comedy to play with the audience’s expectations. Evil Dead II and The Cabin in the Woods exemplify this effect of watching horrid events transpire, while never forgetting their comically outlandish and goofy nature.
![watch drag me to hell free watch drag me to hell free](https://images-na.ssl-images-amazon.com/images/I/71RGJDtZV0L._RI_.jpg)
However, like the genre of horror-comedy itself, there must be a balance to the schadenfreude. There is something utterly fascinating about doomed characters who you, as the viewer, hope will defeat the evil presence looming over their heads, while also wanting to watch the horrible misfortunes that invade their lives.
![watch drag me to hell free watch drag me to hell free](https://www.commonsensemedia.org/sites/default/files/styles/ratio_16_9_small/public/externals/864de68b1de582f88ab6e414abd0fa3f.jpg)
The screening will be followed by a discussion with Drag Me to Hell's cinematographer and UW alum Peter Deming. A 35mm print of Drag Me to Hell will be screened in 4070 Vilas Hall on Saturday, April 21 at 7 p.m. These notes on Sam Raimi's Drag Me to Hell (2009) were written by WUD Film’s Kristen Johnson-Salazar.